Dating newcomb pottery marks

Our sales results exemplify the consistent achievement of record prices for Newcomb pottery at Neal Auction Company. BN26 and "Q" for buff clay body, h. U13, and Q for buff clay body, height 11 in. Monumental Newcomb College Art Pottery High Glaze Vase, , decorated by Harriet Coulter Joor with incised and modeled irises, dark blue, green and white underglaze, base marked with Newcomb cipher, decorator's mark, Joseph Meyer's potter's mark, reg. S7 and "U" for buff clay body, h. O95 and U for buff clay body, height 11 in.

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From through the markings on Newcomb College Pottery vaied somewhat from piece to piece. Some pieces were marked "Newcomb College", and others were marked with several styles of the NC logo Fig 1. In late a new registration system was implemented using sequential letters and numbers Fig 2. This system remained in place until providing a verifyable production year for each piece so marked. The totals given by this system equates to approximately 17, pieces.

Shape numbers Fig 3 were introduced in , with more than different shapes currently identified. Pieces are occasionally found with an "H" and "B" surrounding the "NC" logo. These pieces were hand-thrown Hand-Built. The artist marks Fig 4 were used to determine who got paid for the sold wares, and over 90 different marks have been identified.

These were the artists who were responsible for decorating the pieces produced by the potters. Many were students, others were designated as craftsmen and were closer to employees than faculty or staff. Some artists are better known, and often this results in higher values for examples of their works than average. The potters marks Fig 5 identified the potter who created the greenware used by the artists. They were paid by the piece, even as they often created custom shapes from sketches provided by decorators.

Although at least thirteen different potters are known to have been involved between through , the vast majority display the "JM" symbol of Joseph Meyer. The Clay marks are found occasionally on older pieces, with the following designations: All rights reserved. Design by W3layouts. Newcomb Pottery Marks and Labels. Sponsored by The Kings Fortune. Toggle navigation Menu. Identification and Markings of Newcomb College Pottery.

Fig 1: Newcomb Pottery Logo NC. Fig 2: Registration Number FN Fig 3: Shape Number Fig 4: Artist Mark AFS. Fig 5: Pottery Mark JM. August 12, Guide to Muncie Pottery Marks. February 13, Guide to Niloak Pottery Marks. April 3, Guide to Pillin Pottery Marks. Mar 8, Guide to Owens Pottery Marks. May 16, Please Support Our Sponsors.

As a followup to yesterday's Newcomb Pottery post, the photos below provide visual examples of various date marks. Dsc Newcomb Pottery Markings Vintage Vases, Vintage China, New Orleans Art, Glazed and Confused: Majolica Pottery Marks: Minton Date Codes Antique.

Newcomb College had been founded expressly to instruct young Southern women in liberal arts. Among the first persons to be hired by the Woodwards to assist with the new pottery program were the potters. Unlike the artists who created and carved the designs for the Pottery, the potters were all men, as it was believed that a "male potter would be needed to work the clay, throw the pots, fire the kiln and handle the glazing. He was followed by one of Newcomb Pottery's most recognized potters, Joseph Meyer, in Notably, George Ohr was hired as a potter at approximately the same time as Joseph Meyer, but Ohr left Newcomb to work on his own sometime in

In Newcomb Pottery was established under the direction of Ellsworth Woodward. The pottery was operated in conjunction with advanced art courses offered by Newcomb College.

N with a C overtop: This is followed underneath by a number. Can you identify this mark?

Newcomb College Pottery

Emphraim Faience Art Pottery, founded in , specializes in making new pottery in the styles and colors of the Arts and Crafts period. The majority of the company's first pieces were based on copies of well known period makers such as Grueby, Newcomb Saturday Evening Girls SEG and others. Later designs, though, have focused on contemporary interpretations of the general Arts and Crafts style. Occasionally, some Ephraim pottery drifts into the antiques and collectibles market and can cause some confusion. Separating new Ephraim pottery from pieces by vintage makers, however, is relatively easy because all Ephraim is marked.

Porcelain mark - Appears to be N with a C overtop

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Dating fulper pottery.

My sister gave it to me. It was in the home of her husband's uncle in West Palm Beach, and she didn't tell me anything about it except that it was blue.

Newcomb Pottery

Emphraim Faience Art Pottery, founded in , specializes in making new pottery in the styles and colors of the Arts and Crafts period. The majority of the company's first pieces were based on copies of well known period makers such as Grueby, Newcomb Saturday Evening Girls SEG and others. Later designs, though, have focused on contemporary interpretations of the general Arts and Crafts style. Occasionally, some Ephraim pottery drifts into the antiques and collectibles market and can cause some confusion. Separating new Ephraim pottery from pieces by vintage makers, however, is relatively easy because all Ephraim is marked. Kristin Cramer, Ephraim business and marketing manager, shared the history of Ephraim's marks. The marks and the dates appear below. Those pieces are marked with an ink stamp. But that amounts to only a handful of pieces since the pottery began. Ephraim date marks are based on a clock face. Either initials or tick marks have been used to indicate the year of production. Initials at the nine o'clock position, for example, indicate the first year the system was used.

Ephraim Faience Art Pottery - New Pottery in the Arts and Crafts Style

Newcomb College had been founded expressly to instruct young Southern women in liberal arts. Among the first persons to be hired by the Woodwards to assist with the new pottery program were the potters. Unlike the artists who created and carved the designs for the Pottery, the potters were all men, as it was believed that a "male potter would be needed to work the clay, throw the pots, fire the kiln and handle the glazing. He was followed by one of Newcomb Pottery's most recognized potters, Joseph Meyer, in Notably, George Ohr was hired as a potter at approximately the same time as Joseph Meyer, but Ohr left Newcomb to work on his own sometime in

Ephraim Faience Art Pottery - New Pottery in the Arts and Crafts Style

In the Newcomb College Potttery program began a new registration code scheme for tracking production and sales. Unfortunately, none of the original documents related to those codes have been discovered. Regardless, by matching sales data with other records researchers were able to reconstruct the meaning of those codes. Beginning in , a sequence beginning with letters and numbers began. The first was A-1, then A-2, then A-3, until A The letter then incremented to B, and the numbers began again with 1. So the next pottery was marked B-1, B-2, B-3, until B

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Newcomb College Pottery began as a collective designed to build on the Arts and Crafts ideal of handcrafted decorative arts being far superior in comparison to machine-made goods. This pottery, made in New Orleans, Louisiana beginning in , allowed women to learn the craft of decorating clay wares, and also gave them a means of successfully sharing their work with the world through Today, collectors of American art pottery dating to the turn of the 20th century still see it as a skillful representation of this type of decorative art. With exacting standards reflecting the ideals of William Morris, founding father of the Arts and Crafts movement, early Newcomb wares were uniquely a southern American product. The decoration was to be inspired by Louisiana flora and fauna. Local clays [dug] north of Lake Pontchartrain were used although suitable clay for throwing required the addition of various materials from Alabama, South Carolina, New Jersey, Kentucky and Indiana. If a piece did not meet criteria of the committee, the College's impressed cipher of an "N" within a "C" was ground off the bottom of the pot with an abrasive wheel," according to the Louisiana State Museum's website. These pieces with an obliterated mark sometimes have other marks still in place denoting the decorator, when the piece was registered, and what mixture of clay was used.

Ordway, offer drawing and mechanical training demonstrations at the exposition to attract students. Students from the decorative art classes for women formed the Decorative Art League lead by Ellsworth Woodward. Joseph Fortune Meyer and his friend, George E. The group is terminated in but in , Meyer is appointed to the Newcomb Pottery and remains their potter until his retirement in The H. Gertrude Roberts Smith. The art curriculum includes Mechanical and Architectural Drawing as well as design, color ornamentation, and woodcarving.

Newcomb College had been founded expressly to instruct young Southern women in liberal arts. Among the first persons to be hired by the Woodwards to assist with the new pottery program were the potters. Unlike the artists who created and carved the designs for the Pottery, the potters were all men, as it was believed that a "male potter would be needed to work the clay, throw the pots, fire the kiln and handle the glazing. He was followed by one of Newcomb Pottery's most recognized potters, Joseph Meyer, in Notably, George Ohr was hired as a potter at approximately the same time as Joseph Meyer, but Ohr left Newcomb to work on his own sometime in He was replaced by Jonathan Hunt in and later Kenneth Smith in After Hunt left the Pottery in , he was replaced by Francis Ford.

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